The Origins of Our Numerals

The Kitāb al-Fuṣūl fī al-Ḥisāb al-Hindī (كتاب الفصول في الحساب الهندي), or The Book of Chapters on Hindu Arithmetic, authored by Abū al-Ḥasan Aḥmad ibn Ibrāhīm al-Uqlīdisī in 952 CE, is the earliest known Arabic treatise detailing Indian arithmetic and the use of Hindu-Arabic numerals. A unique manuscript of this work is preserved in the Yeni Cami Library in Istanbul. The treatise also offers the earliest documentation of numerals in use in Damascus and Baghdad.

Another significant reference is found in Talqīḥ al-Afkār bi-Rusūm Ḥurūf al-Ghubār (تلقيح الأفكار برُسوم حروف الغبار), or Fertilization of Thoughts with the Help of Dust Letters, by the Berber mathematician Ibn al-Yāsamīn (ابن الياسمين), who died in 1204. In the excerpt shown below, he presents the Indian numerals, stating:​

“Know that specific forms have been chosen to represent all numbers; they are called ‘ghubār’ (dust), and they are these (first row). They may also appear like this (second row). However, among us, people use the first type of forms.”​

An intriguing anecdote about Ibn al-Yāsamīn is that he composed mathematical poems, such as the Urjūza fī al-Jabr wa al-Muqābala, to make algebra more accessible. These poetic works were not only educational tools but also reflected the rich interplay between mathematics and literature in the Islamic Golden Age.

The Genius Of Numbers

Master of Numbers

Photomosaic portrait of Albert Einstein made with random photographs of numbers.
It is only when the viewer moves away from the image that the portrait of Einstein appears. It is the distance that creates and unveils the truth, because everything is relative, as Einstein once said, and everything depends on the context, the environment or the point of view.

The Master of Numbers
Collage – mixed media, 2006

This op art work is exhibited in many Museums and galleries all around the world and is available as prints and canvases from our online gallery.