Choreographed Chaos: The Paving That Tricks the Eye

This is the tiling outside Building 7 at ASML headquarters. At first glance, it appears to be a Penrose tiling—an example of aperiodic order. Aperiodic tilings are known for covering a surface completely without gaps or overlaps, while never repeating in a regular, periodic fashion.

penrose tiling

However, upon closer inspection—particularly in the second image—it becomes evident that this tiling is not truly aperiodic. Hidden within the apparent complexity are repeating motifs and localized patterns; in fact, it is a tiling with sixfold symmetry. This highlights a fascinating aspect of pattern design: order can emerge subtly from apparent chaos.

not aperiodic

That said, the tiling remains visually striking. With its pentagon-like shapes and intricate layout, it evokes the aesthetic spirit of aperiodic design, even if it doesn’t meet the strict mathematical criteria.

Curious about genuine aperiodic tilings? Here’s a list of known tile sets.

penrose tiling 2

The Many Faces of a Timeless Triangle

Pascal’s Triangle has been studied for centuries—and for good reason. This simple-looking triangle hides a world of fascinating patterns, from triangular numbers to the famous Fibonacci sequence.
It’s a key tool in algebra and a powerful ally in probability and combinatorics.

Though named after Blaise Pascal (1653), the triangle was known long before—in India as Meru-prastaara (मेरुप्रस्तार), in China as Yang Hui’s triangle (杨辉三角形), in Iran as Khayyám triangle (مثلث خیام), and in Italy as Triangolo di Tartaglia.

In Pascal’s Triangle, each number is the sum of the two numbers directly above it. This additive rule builds the triangle and connects it to binomial coefficients, as seen in the expansion of (a + b)ⁿ.

pascal triangle 1

In the second diagonal of Pascal’s Triangle, the square of any number equals the sum of the numbers directly beside it and beneath those in the next row.

pascal triangle 2

Each diagonal of Pascal’s Triangle, from right to left, contains famous number sequences—repunits, natural numbers, triangular, tetrahedral, pentatope numbers, and higher-dimensional figurate numbers.

Pascal triangle 3

The sum of the numbers in any row of Pascal’s Triangle equals a power of 2.

Pascal triangle 4

The sum of the numbers along any shallow diagonal of Pascal’s Triangle gives a Fibonacci number.

Pascal Triangle 5

In some rows of Pascal’s Triangle, concatenating the numbers forms prime numbers (highlighted in orange in the picture)—though rare, these patterns highlight curious numerical symmetries.

Pascal triangle 6

Here’s a final curiosity: by shading the cells containing odd numbers in Pascal’s Triangle, a fractal pattern appears—strikingly similar to the Sierpiński Triangle.
The same effect occurs when shading numbers not divisible by a given prime p (i.e., those not congruent to 0 mod p).

Like the poster above? Give your wall a clever upgrade — get yours here.

Curious to explore a little more?

For those who want to dive into its history and deeper meanings, this classic book is worth a look.

Hands-On Wonders: A Mathemagical Collection

Ever wondered what happens when math puts on a magician’s hat? These books are the distilled magic of my hands-on math workshops across Europe — from Paris to Palermo, Geneva to Ghent — where paper folded, minds twisted, and logic sparkled in English, French, and Italian!

Impossible Folding Puzzles

1) “Impossible Folding Puzzles and Other Mathematical Paradoxes” — a playful dive into mind-bending problems where nothing is quite what it seems. Can a puzzle have no solution… or too many? Dare to fold your brain.

Still available on Amazon.

2) “Pliages, découpages et magie : Manuel de prestidi-géométrie” — where math meets illusion to spark curiosity and creativity.
Perfect for teachers, students, and curious minds: touch, fold, cut… and let the magic unfold!
Available on Amazon.

2) “Pliages, découpages et magie : Manuel de prestidi-géométrie” — un livre où maths et illusion se rencontrent pour éveiller curiosité et créativité.
Pour enseignants, élèves et esprits joueurs : touchez, pliez, découpez… la magie opère!
Dispo sur Amazon.

Pliage decoupages

3) “MateMagica” —  They say there’s enough carbon in the human body to make 900 pencils… but just one is all you need for these clever puzzles!
Fun, surprising, and thought-provoking — because, as Martin Gardner put it, “Mathematics is just the solution of a puzzle.”
Now on Amazon.

3) “MateMagica” —  Si dice che nel corpo umano ci sia abbastanza carbonio per 900 matite… ma per questi rompicapi ne basta una!
Sorprendenti, divertenti e stimolanti — perché, come diceva Martin Gardner, “la matematica è nient’altro che la soluzione di un rompicapo.”
Disponibile su Amazon.

I write and illustrate my own books in five languages: English, French, Italian, German, and Spanish.
If you’re a publisher or literary agent seeking original, high-quality educational content that blends creativity with clarity, I’d be pleased to explore potential collaborations.

GHOST COLORS (2)

Take a closer look at the image below—you’re in for a mind-bending surprise! There’s absolutely NO yellow, and not even red or green in sight. (Zoom in if you don’t believe it!) The only actual colors used are blue, cyan, and magenta.
What you’re seeing is a fascinating phenomenon known as “simultaneous color contrast” and “color assimilation”.—effects that ‘trick’ the brain into perceiving colors that aren’t really there.

When you magnify a portion of the image in Photoshop, as seen below, to the right, you see a series of black bars. Some gaps that appeared yellow at first are actually pure WHITE, and the eyedropper tool confirms that only CYAN and MAGENTA are present.

The green tint perceived in some areas is a result of the interaction between black and cyan, just as the appearance of red is due to the interplay of black and magenta. As for the yellow-looking circle, it’s actually an optical effect caused by the white space between the black bars reacting to the surrounding dark blue lines — a classic case of simultaneous contrast.

Learn more.

Assembly Fail: The Impossible Ikea Chair

Sometimes, following the instructions doesn’t lead to the expected result. This visual illusion explores how perception, logic, and a touch of ambiguity can turn a simple assembly into something entirely unexpected.

Now available on our Gallery shop—ideal for lovers of visual humor, design fails, and optical absurdities.

Impossible rectangle?

Cut out the two identical, imperfect rectangles shown here—each missing two corners. Follow the lines to divide them into four geometric pieces… Then try to reassemble them into one perfect rectangle.

Sounds simple? Think again! Solve it? Tell us what made it such a brain-bender!

I’ve always had a passion for puzzles made of simple geometric pieces—especially those that seem almost impossible to solve despite the deceptively simple shapes and limited number of elements. As an Op Art artist, I find these visual enigmas a delight not only for the eye but also for the mind. For someone drawn to minimalism like me, beauty lies not just in pure form, rules, or apparent simplicity, but in the very intention of the game: to create something concrete and well-defined out of very little. And yet, at first glance, the pieces rarely seem to match the information at hand—as if something’s always missing, or as if the pieces resist aligning with your will.

Back in the ’80s, I created numerous puzzles with these paradoxical traits—some even became worldwide hits. When people would say, “Ah, so you’re the creator of that devilish puzzle?” I would always reply, “No, not a puzzle, but a piece of optical art.” Or: “No, not a puzzle, but a visual paradox.” Or sometimes: “No, not a puzzle, but a moment of zen-like reflection.”

No, I’ve never created puzzles—but rather works that turn geometry into visual meditation.

⇨ More visual enigmas to create.

The Trapezoid Trap

Here’s a rather tricky puzzle—perfect for the classroom or a fun activity with your kids (and possibly an excuse to sharpen your own spatial skills).

Print and cut out the five puzzle pieces (see Fig. A), then try to fit them all into the larger shape (Fig. B) without overlapping. Yes, it’s possible… As you may have noticed, all the pieces—including the final shape—are similar right trapezoids. They do, however, vary in scale, just to keep things interesting.

Cut out the 5 puzzle pieces (right trapezoids; fig. A) in order to fit them all into the larger shape (fig. B) without overlapping.

You can download the full template in PDF format here.

The first person to post a correct solution will receive a set of our original postcard designs.

And if you find yourself strangely fascinated by these slanted quadrilaterals, you’re not alone. Even ancient Greek mathematicians toyed with shapes like these to explore proportions and symmetry. Curious about trapezoids (or wondering if they’re secretly out to get you)? Here’s a helpful read: https://en.wikipedia.org/wiki/Trapezoid

Happy puzzling—and remember, if it feels impossible, you’re probably getting close.

(Hint: Some pieces may need to be flipped over, as if seen through a mirror.)

UMBRELLA ILLUSION

One of my illusions from the late ’90s. Take a look at the colorful umbrellas in Figures A and B—are they the same or different? About 80% of people will say that Umbrella A has jagged, zigzag edges, while Umbrella B has smooth, wavy lines. But here’s the trick—you’ve been fooled by the brightness contrast of the rays inside the umbrellas. In reality, both umbrellas are identical in shape, perfectly congruent.

This illusion shows a phenomenon called curvature blindness, which was rediscovered in 2017 by Japanese psychologist Kohske Takahashi. He created a powerful variant and studied its impact on how we perceive shapes.

© Kohske Takahashi – The wavy lines appear different depending on the background and how the repetitive dark color is applied to them.

Read further

Voyage au centre de la géométrie

Voyage au centre de la géométrie” est une rubrique emblématique que nous avons eu le plaisir de tenir pendant de nombreuses années dans la célèbre revue suisse ‘Mathécole‘. Très appréciée des enseignants et du grand public, cette rubrique visait à rendre les mathématiques accessibles et fascinantes pour tous.

Bien que Mathécole, un puissant outil de diffusion des mathématiques, ne soit plus publié, vous pouvez encore consulter ou télécharger gratuitement certains numéros contenant nos articles via les archives en ligne. Nous vous invitons à les explorer et à redécouvrir la richesse de ces contenus :

· Le puzzle outil didactique 1: #173,

· Le puzzle outil didactique 2: #177,

· Le puzzle outil didactique 3: #179,

· Découper, assembler, comprendre: #183,

· Métamorphoses géométriques: #184,

· La courbe dans tous ses états: #189,

· Parcours et détours: #196.

Ces archives témoignent de l’importance de Mathécole dans la vulgarisation des mathématiques et de son impact durable. N’hésitez pas à parcourir ces articles pour en apprendre davantage et pour vous en inspirer !